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Nicola Tassie Totems
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Nicola Tassie (British, b. 1960) is a ceramic artist exploring the intersection of functional vessels with purely artistic forms. Employing centuries-old pottery traditions, Tassie makes works that are immediately recognizable and approachable owing to their clear ties to the domestic objects we encounter in our everyday lives, though closer inspection reveals that the functionality is only alluded to through certain formal properties, not discreetly possible. Tassie leaves no stone unturned in the “addictive” exploration of the medium – frequently alternating between the wheel and hand-building, using a variety of clay bodies and firing techniques to create a body of work ranging in scale and mode of display. Tassie deftly blends the humble dignity of everyday pottery with the more philosophical pursuits typically associated with abstract sculpture striking an elegant balance.

CV

NICOLA TASSIE
Born in 1960, London

Founding member and Director of Education projects at Standpoint Studios, London

EDUCATION
1985-88 Ceramics, Islington Institute, EC1 London
1980-83 BA [Honors] Fine Art [Painting], Central School of Art & Design,
              London
1979-80 Foundation, St Martin’s School of Art, London

AWARDS
2016     Selected maker for the International Maker Showcase ‘Future Made’
             Crafts Council of England
1991     Visual Arts Production Award (ceramics), Greater London Arts

SELECTED EXHIBITIONS
2017     ‘Collect’, at Petronilla Silver stand, Saatchi Gallery, London
2016     ‘Line Up’ touring to The Devon Guild of Craftsmen, Bovey Tracey,
             Devon
             ‘ING Discerning Eye Exhibition’, Mall Galleries, London
             ‘The White Show’ Clotworthy House & Antrim Castle Gardens, Antrim,
             Northern Ireland
             ‘British Craft: Miami Edit’, One Hotel, Miami, USA
2015     ‘Line Up’ – Flow Gallery, London
             Collect - stand Petronilla Silver of the Wills Lane Gallery, Saatchi Gallery,
             London
             ‘Orchestrated Marks’ Quercus Gallery, Bath
             ‘Grand Magasin’ – French Riviera, London
2014     ‘Mud and Water’ – Rokeby Gallery, London
             ‘Craft’ – solo exhibition, Standpoint Gallery, London
             ‘Grand Magasin’ – French Riviera, London
2013     ‘Natural Selection’ - Gallery Top, Matlock, Derbyshire
             ‘Bryan Ingham & Nicola Tassie’ - The Cross Street Gallery, London
 

SELECTED EXHIBITIONS, CONT.
2012     ‘Everyday’- The Craft Center and Design Gallery, City Art Gallery, Leeds
             ‘Made in London’- Contemporary Ceramics, London
             ‘London Design Festival’ at Margaret Howell, Fulham, London
2011     ‘Hatchet & Helve’- Standpoint Gallery, London
2010     ‘Hand Made in England’ - Few and Far, London
2009     Contemporary Applied Arts, Somerset House, London
2007     Ceramics at St David's Hall, Cardiff
2005     'Points of View' - Standpoint Gallery, London
2000     'Hidden Art of Hackney'- Hackney Museum, London
1999     'New Designers' - The Geoffrey Museum, London
1989     'Whitechapel Open'- Whitechapel Art Gallery, London

PUBLICATIONS
2016     Imperfect Perfect by Karen McCartney, Sharyn Cairns and Glen
             Proebstel, published by Murdoch Books
2015     Country Living Modern Rustic issue 4, text by Caroline Atkins
2015     Makers of East London, published by Hoxton Mini Press
2006     The Ceramics Book - an A-Z guide to 300 ceramic artist, published by
             Ceramic Review Publishing Ltd
2005     Points of View, by Geoffrey Quilley, Standpoint, London / Ceramics:
             Art and Perception International, issue60
2004     To Have and to Hold, Ceramic Review, Sept/Oct
1999     Painted Ceramics; colour and imagery on clay, by Brenda Pegrum,
             published by Crowood Press
1992     Freeing the Spirit, Crafts Magazine, May/June

BIBLIOGRAPHY
2016     Viladas, Pilar, "Old School and Cutting Edge Furniture to Blow Your Mind
             The Best of Design Miami 2016," W Magazine, December 2, 2016
2015     Treggiden, Katie, "Tactile design: why we like things a little rough around
             the edges," The Spaces, December 14, 2015

 

 

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